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The historic Fox Theatre is one of Atlanta’s premier venues for live entertainment. With 4,665 seats, the Fox Theatre hosts more than 150 performances a year, including Broadway shows, concerts, comedy, and films. Over the years, the Fox has earned numerous prestigious accolades, further establishing its reputation on the global stage. Notable recent honors include 2023 Billboard Magazine’s #2 Highest Grossing Theatre Worldwide (5,000 seats or less), 2023 VenuesNow Magazine’s #2 Year-End Top Stop (2,001-5,000 seats), and 2022 IEBA Theatre of the Year.
Beyond its renowned theatre, the Fox boasts stunning ballrooms that have played host to events ranging from Sweet 16 parties and weddings to high-profile corporate functions. Whether on stage or off, the Fox Theatre continues to be a landmark destination for unforgettable experiences.
Since opening its doors in 1914 and introducing the first Amateur Night contests in 1934, the Apollo has played a major role in the emergence of jazz, swing, bebop, R&B, gospel, blues, and soul — all quintessentially American music genres. Ella Fitzgerald, Sarah Vaughan, Billie Holiday, Sammy Davis Jr., James Brown, Gladys Knight, Luther Vandross, D’Angelo, Lauryn Hill, and countless others began their road to stardom on the Apollo stage. Today, the Apollo is a respected not-for-profit, which presents concerts, performing arts, education and community outreach programs.
The neo-classical theater known today as the Apollo Theater was designed by George Keister and first owned by Sidney Cohen. In 1914, Benjamin Hurtig and Harry Seamon obtained a thirty-year lease on the newly constructed theater calling it Hurtig and Seamon’s New Burlesque Theater. Like many American theaters during this time, African-Americans were not allowed to attend as patrons or to perform.
In 1933 Fiorello La Guardia, who would later become New York City’s Mayor, began a campaign against burlesque. Hurtig & Seamon’s was one of many theaters that would close down.reopened the building as the 125th Street Apollo Theatre in 1934 with his partner, Morris Sussman serving as manager. Cohen and Sussman changed the format of the shows from burlesque to variety revues and redirected their marketing attention to the growing African-American community in Harlem.
SPEAKER TBD
ANTHONY ANDERSON
Anthony Anderson is an American actor, comedian and game show host who is known for playing Louis Booker from Kangaroo Jack, Glen Whitmann from Transformers, Ray Ray from The Proud Family and Antwon Mitchell from The Shield. He also acted in Blackish, Hoodwinked, The Departed, Agent Cody Banks 2 and Scream 4.
RICK ROSS
With the levying stature of a goliath and the regal standing of a King, Rick Ross has lived up to his prophecy of being the “Biggest Boss.” The Miami Monster Mogul has evolved into not just hip-hop’s most respected and revered MC (in fact he was voted MTV’s “Hottest MC” of 2011), but as a label CEO and business entrepreneur, his resumé is as sterling as one of his platinum plaques.
God Forgives, I Don’t is Ross’ fifth solo album in six years, following in the recent success of five star acclaimed masterpieces Deeper Than Rap (2009), Teflon Don (2010) and classic team efforts with his Maybach Music Group, Self Made Vol. 1 and 2. By now, everyone that follows what Ross does, has been conditioned to expect nothing but a prolific output of the highest grade of music.
In a career that reaches new heights every year, God Forgives… is a milestone, the most anticipated rap project of all of 2012, as well as being the LP that will be the definitive work of art of the past decade.
“Without exaggeration, you just don’t hear this high of quality or precision of music,” Ross says about his opus. “I’ve mastered the art of devising classic albums, but this by far exceeds my prior excellence. I owe this to the fans and I owe it to myself to be the undeniable best.”
God Forgives… has a seamless blend of party hits and street certifiable bangers surrounded by Ross’ passionate reflections on life and articulation of his journey to be a billionaire. On one of the lead cuts, “So Sophisticated,” Ross hammers down heavy-handed statements with a delivery as graceful as Michael Jackson’s penny loafers lighting up the streets in “Billie Jean.” Meanwhile “Touch N You” features multi-time Grammy Award winner Usher and caters to the women who have crowned Ricky Rozay as one of the most yearned for sex symbols in all of entertainment.
“Three Kings” feels like Ross’ coronation into legend status as he is joined side by side by the man who has garnered the title of Greatest Rapper of All-Time, Jay-Z and the Greatest Producer of All-Time, Dr. Dre.
Like every up and coming MC, Ross — influenced by Golden Era b-boys that reigned supreme in the late 80s — just wanted to be heard during his introduction into hip-hop in the late 90s. While the desire and the artistry have been Ross hallmarks from career commencement, he had to learn the fine of art of structuring record contracts as well figure out a way to market and promote himself to the public when his former record labels couldn’t.
Ultimately, Rick Ross’ time didn’t come until over a decade after he started professionally. He only needed one song to break through. 2006’s “Hustlin” which went from being a relentless street anthem to a pop culture catch phrase still used today, earned Ross a record deal with Def Jam, and became the catalyst for his debut LP Port of Miami. That album debuted number one on the Billboard charts as did Trilla which came less than two years later.
And while his core fans already were familiar with the superlatives or Rick Ross the artist, in 2009, we got to know how strong of man the music Kingpin was. Highly publicized rap battles and controversy over his street cred that started at the end of 2008, none of it mattered by the spring of the next year when 2009’s Deeper Than Rap dropped. The few that ridiculed had no choice but to jump on the bandwagon, when Ross elevated himself with refined raps and musical soundscapes, all the while never worrying about public misperceptions about his past. While other albums may have sold slightly more, 2010’s Teflon Don overshadowed every LP from any genre that year. It was the album you heard coming out every car, the album that dominated DJ’s playlist and the album that catapulted Ross to international superstardom.
Building on the next level of his fame, Ross’ hunger wasn’t satiated. He knew it was his golden opportunity expand his Maybach Music Group. In late 2010 MMG went from boutique imprint to a full-fledged label, with the signings of Wale and Meek Mill as the cornerstones of the roster. Stalley and Omarion have since joined his core and have helped make MMG the most beloved brand since Jay-Z had Roc-A-Fella records 10 years ago. In early 2012, Ross released a free mixtape containing an album’s worth of new material called Rich Forever. The popularity from the body of work was so fervent, Ross toured in the U.S. and overseas in support of the new set of songs and Rich Forever has since went on to be the most downloaded mixtape ever. Now with God Forgives I Don’t, Ross has his sights set on a brand new goal: to be the biggest boss and artist of all-time.
“When my career is done, people will look back at everything I’ve contributed, and not just speak my name in high regard with the best of the best artists, but they’ll also compare my contributions with the greatest executives ever such as Russell Simmons, Lyor Cohen, Clive Davis and Jimmy Iovine.”
SHAQUILLE O’NEAL
4X NBA Champion, Sports Analyst, DJ, Philanthropist, and Investor
Born in Newark, New Jersey, on March 6, 1972, Shaquille O’Neal is considered to be one of the most dominant basketball players in NBA history. At 7 ft 1 in tall and weighing 325 pounds, Shaq’s larger-than-life personality and powerful athleticism have resulted in worldwide adulation and one of the most passionate fan bases in sports and entertainment.
Shaquille O’Neal’s off-court accolades rival his athletic accomplishments, having found success in acting, music, television, gaming and as an entrepreneur. Currently, Shaq is an analyst on Inside The NBA, on the board of Papa John’s Pizza in addition to being partner and investor in numerous other businesses.
Philanthropically, Shaquille’s relationship with the Boys & Girls Club of America dates back to his youth in New Jersey. As a national spokesperson for the Boys & Girls Clubs of America, he has been participating in campaigns with the non-profit company for the past 15 years.
